{"id":596,"date":"2019-02-11T22:09:59","date_gmt":"2019-02-11T21:09:59","guid":{"rendered":"https:\/\/oczamidziecka.al.uw.edu.pl\/?page_id=596"},"modified":"2023-12-06T10:10:33","modified_gmt":"2023-12-06T09:10:33","slug":"bombka-babci-zilbersztajn-grandma-zilbersztajns-christmas-bauble","status":"publish","type":"page","link":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/en\/bombka-babci-zilbersztajn-grandma-zilbersztajns-christmas-bauble\/","title":{"rendered":"Bombka babci Zilbersztajn [Grandma Zilbersztajn\u2019s Christmas Bauble]"},"content":{"rendered":"\n<div class=\"wp-block-columns has-2-columns\">\n<div class=\"wp-block-column\">\n<h6>Author: Katarzyna Ryrych<\/h6>\n\n\n\n<h6>Illustrator: Anna Rudka<\/h6>\n\n\n\n<h6>Year:&nbsp;2018<\/h6>\n\n\n\n<h6>Publisher: EZOP<\/h6>\n\n\n\n<h6>Place of publication: Warszawa<\/h6>\n\n\n\n<h6>Pages:&nbsp;155<\/h6>\n\n\n\n<h6>ISBN:&nbsp;9788365230201<\/h6>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img loading=\"lazy\" width=\"243\" height=\"380\" src=\"https:\/\/oczamidziecka.al.uw.edu.pl\/wp-content\/uploads\/2019\/05\/Bombka_babci_okladka-finalJPG-e1557736639595.jpg\" alt=\"\" class=\"wp-image-1738\"\/><figcaption>Cover courtesy of the publisher. \u00a9Wydawnictwo Ezop Sp. z o.o.<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n<p class=\"p1\"><span class=\"s1\">Ninka along with her parents and older brother Alek moves into an apartment where her recently deceased grandmother used to live. The apartment, located in an old tenement house, hides many secrets which are further exaggerated by the girl\u2019s imagination. At one point, Ninka\u2019s relationship with her brother and parents weakens. The only person who still has time for Ninka is Grandma Zilbersztajn, an elderly woman who lives upstairs and still remembers wartime. Around Christmas, she presents Ninka with an old, hand-painted bauble, which is later hung on the Christmas tree with other decorations. On the same day, Ninka discovers a secret passage hidden behind coats in a bedroom wardrobe. There is a hungry, scared little girl waiting for Ninka on the other side, and she does not want to reveal her name. Ninka continues to visit the world &#8220;on the other side of the wall&#8221;, learning new details about the tenement house and Grandma Zilbersztajn\u2019s story. It turns out that the journey through the wall leads her to the past, to the time of the Holocaust.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Katarzyna Ryrych\u2019s novel follows the trend in children\u2019s literature to describe the Holocaust indirectly. Similarly to Joanna Fabicka\u2019s <a href=\"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/en\/rutka-2\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Rutka<\/i><\/a>, this novel explores the motif of spreading testimonies of war experiences from woman to woman, and shows the mechanisms of memory transmission. The girl from behind the wall involves Ninka in a game, making her lose awareness of the space she belongs to \u2013 whether past or present. The game trope leads to questions on the randomness of death, especially during the Holocaust. On the other hand, it suggests that abiding rules (such as quiet behavior in a hideout or concealing one\u2019s identity) can help win the game, that is: to survive. Unfortunately, as Ryrych shows, bystanders often benefitted from someone\u2019s loss in the game. She contributes to the social and political discussion on Poles\u2019 participation in the Holocaust by alluding to the appropriation of former Jewish property by looters.<\/span><\/p>\n<p>\u00a0<\/p>\n<h6>Bibliography:<\/h6>\n<ul class=\"ul1\">\n<li class=\"li1\"><span class=\"s2\"><span class=\"s1\">Karczewska, A., <i>\u201eTylko czy niebo nadal istnieje?\u201d B\u00f3g w najnowszej dzieci\u0119cej literaturze o Zag\u0142adzie<\/i>, [in:] <i>Wiara i niewiara. Literackie realizacje wobec do\u015bwiadczenia Zag\u0142ady<\/i>, eds. P. Kalwi\u0144ski, A. Karczewska, Lublin 2018, pp. 69\u201388 (p. 71 fn. 7, p. 73 fn. 12);<\/span><\/span><\/li>\n<li class=\"li1\"><span class=\"s2\"><span class=\"s1\">Karczewska, A., <i>Pami\u0119\u0107 i empatia. O dzieci\u0119cej literaturze Zag\u0142ady<\/i>, [in:] <i>Pami\u0119\u0107 o Zag\u0142adzie w polskoj\u0119zycznej i niemieckoj\u0119zycznej literaturze autorek i autor\u00f3w drugiego oraz trzeciego pokolenia post-Szoah \/ Das Ged\u00e4chtnis an die Shoah in der polnischen und deutschsprachigen Literatur von Autorinnen und Autoren der zweiten und dritten Post-Shoah-Generation<\/i>, eds. I. von der L\u00fche, S.J. \u017burek, Lublin 2019, pp. 265\u2013300;<\/span><\/span><\/li>\n<li class=\"li1\"><span class=\"s2\">Rybak, K.,\u00a0<a href=\"http:\/\/www.omc.obta.al.uw.edu.pl\/myth-survey\/item\/591\"><span class=\"s3\">\u201eGrandma Zilbersztajn\u2019s Christmas Bauble [Bombka babci Zilbersztajn]\u201d<\/span><\/a>,\u00a0<i>Our Mythical Childhood Survey;<\/i><\/span><\/li>\n<li>Rybak, K.,\u00a0<em>Dzieci\u0144stwo w labiryncie getta. Recepcja mitu labiryntu w polskiej literaturze dzieci\u0119cej o Zag\u0142adzie<\/em>, Warszawa 2019 (p. 15, 76);<\/li>\n<li>Rybak, K., <em>Stosunki polsko-\u017cydowskie i Zag\u0142ada w polskiej literaturze dzieci\u0119cej XXI wieku<\/em>, [in:] <em>Stosunki polsko-\u017cydowskie<\/em>, vol. 2, <em>Kultura. Literatura, sztuka i nauka w XX wieku<\/em>, ed. Z. Tr\u0119bacz, Warszawa 2020, pp. 171\u2013187;<\/li>\n<li>Rybak, K., <a href=\"https:\/\/doi.org\/10.31261\/NoZ.2021.07.09\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Zag\u0142ada i ideologia w polskiej literaturze dzieci\u0119cej XXI wieku<\/em><\/a>, \u201eNarracje o Zag\u0142adzie<span class=\"s2\">\u201d<\/span>, no. 1(7), 2021, pp. 155\u2013173 (p. 164);<\/li>\n<li>Rybak, K.,\u00a0<em>Obrazowanie Zag\u0142ady. Narracje holokaustowe w polskiej literaturze XXI wieku dla dzieci i m\u0142odzie\u017cy<\/em>, Warszawa 2023.<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Author: Katarzyna Ryrych Illustrator: Anna Rudka Year:&nbsp;2018 Publisher: EZOP Place of publication: Warszawa Pages:&nbsp;155 ISBN:&nbsp;9788365230201 Ninka along with her parents and older brother Alek moves into an apartment where her recently deceased grandmother used to live. The apartment, located in an old tenement house, hides many secrets which are further exaggerated by the girl\u2019s imagination. At one point, Ninka\u2019s relationship with her brother and parents weakens. The only person who still has time for Ninka is Grandma Zilbersztajn, an elderly woman who lives upstairs and still remembers wartime. Around Christmas, she presents Ninka with an old, hand-painted bauble, which is later hung on the Christmas tree with other decorations. On the same day, Ninka discovers a secret passage hidden behind coats in a bedroom wardrobe. There is a hungry, scared little girl waiting for Ninka on the other side, and she does not want to reveal her name. Ninka continues to visit the world &#8220;on the other side of the wall&#8221;, learning new details about the tenement house and Grandma Zilbersztajn\u2019s story. It turns out that the journey through the wall leads her to the past, to the time of the Holocaust. Katarzyna Ryrych\u2019s novel follows the trend in children\u2019s literature to describe the Holocaust indirectly. Similarly to Joanna Fabicka\u2019s Rutka, this novel explores the motif of spreading testimonies of war experiences from woman to woman, and shows the mechanisms of memory transmission. The girl from behind the wall involves Ninka in a game, making her lose awareness of the space she belongs to \u2013 whether past or present. The game trope leads to questions on the randomness of death, especially during the Holocaust. On the other hand, it suggests that abiding rules (such as quiet behavior in a hideout or concealing one\u2019s identity) can help win the game, that is: to survive. Unfortunately, as Ryrych shows, bystanders often benefitted from someone\u2019s loss in the game. She contributes to the social and political discussion on Poles\u2019 participation in the Holocaust by alluding to the appropriation of former Jewish property by looters. \u00a0 Bibliography: Karczewska, A., \u201eTylko czy niebo nadal istnieje?\u201d B\u00f3g w najnowszej dzieci\u0119cej literaturze o Zag\u0142adzie, [in:] Wiara i niewiara. Literackie realizacje wobec do\u015bwiadczenia Zag\u0142ady, eds. P. Kalwi\u0144ski, A. Karczewska, Lublin 2018, pp. 69\u201388 (p. 71 fn. 7, p. 73 fn. 12); Karczewska, A., Pami\u0119\u0107 i empatia. O dzieci\u0119cej literaturze Zag\u0142ady, [in:] Pami\u0119\u0107 o Zag\u0142adzie w polskoj\u0119zycznej i niemieckoj\u0119zycznej literaturze autorek i autor\u00f3w drugiego oraz trzeciego pokolenia post-Szoah \/ Das Ged\u00e4chtnis an die Shoah in der polnischen und deutschsprachigen Literatur von Autorinnen und Autoren der zweiten und dritten Post-Shoah-Generation, eds. I. von der L\u00fche, S.J. \u017burek, Lublin 2019, pp. 265\u2013300; Rybak, K.,\u00a0\u201eGrandma Zilbersztajn\u2019s Christmas Bauble [Bombka babci Zilbersztajn]\u201d,\u00a0Our Mythical Childhood Survey; Rybak, K.,\u00a0Dzieci\u0144stwo w labiryncie getta. Recepcja mitu labiryntu w polskiej literaturze dzieci\u0119cej o Zag\u0142adzie, Warszawa 2019 (p. 15, 76); Rybak, K., Stosunki polsko-\u017cydowskie i Zag\u0142ada w polskiej literaturze dzieci\u0119cej XXI wieku, [in:] Stosunki polsko-\u017cydowskie, vol. 2, Kultura. Literatura, sztuka i nauka w XX wieku, ed. Z. Tr\u0119bacz, Warszawa 2020, pp. 171\u2013187; Rybak, K., Zag\u0142ada i ideologia w polskiej literaturze dzieci\u0119cej XXI wieku, \u201eNarracje o Zag\u0142adzie\u201d, no. 1(7), 2021, pp. 155\u2013173 (p. 164); Rybak, K.,\u00a0Obrazowanie Zag\u0142ady. Narracje holokaustowe w polskiej literaturze XXI wieku dla dzieci i m\u0142odzie\u017cy, Warszawa 2023.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/596"}],"collection":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=596"}],"version-history":[{"count":15,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/596\/revisions"}],"predecessor-version":[{"id":3592,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/596\/revisions\/3592"}],"wp:attachment":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}