{"id":2943,"date":"2021-04-25T19:48:01","date_gmt":"2021-04-25T18:48:01","guid":{"rendered":"https:\/\/oczamidziecka.al.uw.edu.pl\/?page_id=2943"},"modified":"2023-12-06T10:22:19","modified_gmt":"2023-12-06T09:22:19","slug":"otto-autobiografia-pluszowego-misia-otto-the-autobiography-of-a-teddy-bear","status":"publish","type":"page","link":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/en\/otto-autobiografia-pluszowego-misia-otto-the-autobiography-of-a-teddy-bear\/","title":{"rendered":"Otto. Autobiografia pluszowego misia [Otto: The Autobiography of a Teddy Bear]"},"content":{"rendered":"\n<div class=\"wp-block-columns has-2-columns\">\n<div class=\"wp-block-column\">\n<h6>Author: Tomi Ungerer<\/h6>\n\n\n\n<h6>Illustrator: Tomi Ungerer<\/h6>\n\n\n\n<h6>Translator: Micha\u0142 Rusinek<\/h6>\n\n\n\n<h6>Year: 2011<\/h6>\n\n\n\n<h6>Publisher: Format<\/h6>\n\n\n\n<h6>Place of publishing: Wroc\u0142aw<\/h6>\n\n\n\n<h6>Pages: 32<\/h6>\n\n\n\n<h6>ISBN: 9788361488729<\/h6>\n\n\n\n<h6>Notes: Translation from English (1999).<\/h6>\n\n\n\n<h6>Translations:<\/h6>\n\n\n\n<ul><li><em>Otto: Autobiograf\u00eda de un osito de peluche<\/em>, trans. Susana Andr\u00e9s, Barcelona: Ediciones B, 2011, pp. 32, ISBN: 9788466648707;<\/li><li><em>Otto: Autobiografia di un orsacchiotto<\/em>, trans. Caterina Ottaviani, Milano: Mandadori,  2003, pp. 32, ISBN: 9788804515272;<\/li><li><em>Otto: Autobiographie d&#8217;un ours en peluch<\/em>e, trans. Florence Seyvos, Paris: \u00c9cole des Loisirs, 1999, pp. 32, ISBN: 9782211055437;<\/li><li><em>Otto: Autobiographie eines Teddyb\u00e4ren<\/em>, trans. Anna Cramer-Klett, Z\u00fcrich: Diogenes, 1999, pp. 32, ISBN: 9783257008579;<\/li><li><em>Otto: E\u00f1vorenno\u00f9 un arzhig kof plouz<\/em>, trans. Mark Kerrain, Saint-Brieg: Breton, 2006, pp. 32, ISBN: 9782912905741;<\/li><li><em>Otto: Biography of a Teddy Bear<\/em>, Boulder, Colo.: Roberts Rinehart Publishers, 1999, pp. 32, ISBN: 9781570983047;<\/li><li><em>Otto:<\/em> <em>The Autobiography of a Teddy Bear<\/em>, New York: Phaidon, 2010, pp. 32, ISBN: 9780714857664;<\/li><li><em>\u30aa\u30c3\u30c8\u30fc: \u6226\u706b\u3092\u304f\u3050\u3063\u305f\u30c6\u30c7\u30a3\u30d9\u30a2<\/em>, trans. \u93e1\u54f2\u751f, \u6771\u4eac: \u8a55\u8ad6\u793e, 2004, pp. 32, ISBN: 9784566008007;<\/li><li><em>\u05d0\u05d5\u05d8\u05d5: \u05d0\u05d5\u05d8\u05d5\u05d1\u05d9\u05d5\u05d2\u05e8\u05e4\u05d9\u05d4 \u05e9\u05dc \u05d3\u05d1\u05d5\u05df \u05e6\u05e2\u05e6\u05d5\u05e2<\/em>, trans. \u05de\u05d9\u05db\u05d0\u05dc \u05d3\u05e7, \u05e8\u05de\u05ea \u05d4\u05e9\u05e8\u05d5\u05df :\u05e6\u05dc\u05d8\u05e0\u05e8,<text style=\"color:white\">I<\/text style>2014, pp. 32, ISBN: 891820409.<\/li><\/ul>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img loading=\"lazy\" width=\"250\" height=\"380\" src=\"https:\/\/oczamidziecka.al.uw.edu.pl\/wp-content\/uploads\/2021\/04\/otto_okladka-1-e1619552192106.jpg\" alt=\"\" class=\"wp-image-3217\"\/><figcaption>Cover courtesy of the publisher. \u00a9Wydawnictwo FORMAT, 2011<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n<p><em>Otto<\/em> is a first-person story told from the point of view of the eponymous character: a plush bear sewn in pre-war Germany. At the start of his \u201clife,\u201d Otto is given to a Jewish boy by the name of David. Before his family\u2019s forced displacement, David hands Otto over to his German friend Oskar. Along with the child character, the teddy bear survives an aerial bombing of the city. Then, he is brought to the United States by an American soldier named Charlie. After numerous twists of fate, Otto finds himself in the window of an antique store, and is later bought by Oskar as an old man. And this is not the end of Otto\u2019s adventure&#8230;<\/p>\n<p>Tomi Ungerer\u2019s picturebook talks about the Holocaust through the perspective of a toy which is inanimate, but able to perceive the world and feel emotions. This could be considered as an attempt to show a non-anthropocentric experience of the war and the Shoah. The author decided to present a variety of moral stances and character types, including some Germans\u2019 compassion for their Jewish compatriots, friendships between \u201cregular\u201d people and the persecuted, or the suffering of German civilians. The Holocaust directly affects one character, David, who is the only member of his family to survive the war.<\/p>\n<h6>Bibliography:<\/h6>\n<ul class=\"ul1\">\n<li><span class=\"s1\">Biernacka-Licznar, K., Jamr\u00f3z-Stolarska, E., Paprocka, N., <i>Lilipucia rewolucja. Awangardowe wydawnictwa dla dzieci i m\u0142odzie\u017cy w Polsce w latach 2000\u20132015. Produkcja wydawnicza. Bibliografia<\/i>, Warszawa 2018 (pp. 59\u201360);<\/span><\/li>\n<li><span class=\"s2\">Bajorek, A., <a href=\"http:\/\/cejsh.icm.edu.pl\/cejsh\/element\/bwmeta1.element.desklight-f26d4cd2-dd42-436f-84ae-fc02f206c2fa\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Zabawka jako historyczny artefakt w niemieckiej literaturze i kulturze dzieci\u0119cej<\/i><\/a>, \u201eFiloteknos\u201d, no. 9, 2019, pp. 300\u2013308<\/span><span class=\"s2\"> (pp. 305\u2013306);<\/span><\/li>\n<li><span class=\"s2\">Gajownik, S., <i>II wojna \u015bwiatowa we wsp\u00f3\u0142czesnej literaturze dla dzieci i m\u0142odzie\u017cy<\/i>, [in:] <i>Historia \u2013 pami\u0119\u0107 \u2013 edukacja w edukacji humanistycznej<\/i>, vol. 2: <i>Literatura i kultura<\/i>, eds. Z. Budrewicz, M. Sienko, Krak\u00f3w 2013, pp. 167\u2013179 (pp. 174\u2013175);<\/span><\/li>\n<li><span class=\"s2\">Ippoldt, L., <a href=\"http:\/\/www.ifg.uni.wroc.pl\/wp-content\/uploads\/PUBLIKACJE-IFG\/OL\/OL48.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Dziecko a wojna \u2013 literatura dla dzieci o tematyce wojennej na wybranych przyk\u0142adach polsko- i niemieckoj\u0119zycznych<\/i><\/a>, \u201eOrbis Linguarum\u201d, no. 48, 2018, pp. 501\u2013504 (p. 502);<\/span><\/li>\n<li>Jeziorkowska-Polakowska, A., <span class=\"s1\"><i>\u201ebia\u0142a plamka na tle MURU to ja&#8230;\u201d \u2013 angielski buldog opowiada o Zag\u0142adzie<\/i><\/span>, [in:] <i>(Nie)zapomniane zwierz\u0119ta<\/i>, eds. E. \u0141och, D. Piechota, A. Trze\u015bniewska-Nowak, Gda\u0144sk 2021, pp. 129\u2013161 (p. 132, fn. 6);<\/li>\n<li>Rybak, K.,\u00a0<em>Obrazowanie Zag\u0142ady. Narracje holokaustowe w polskiej literaturze XXI wieku dla dzieci i m\u0142odzie\u017cy<\/em>, Warszawa 2023;<\/li>\n<li><span class=\"s2\">Skowera, M., <a href=\"http:\/\/apcz.umk.pl\/czasopisma\/index.php\/LC\/article\/view\/LC.2017.054\/13066\" target=\"_blank\" rel=\"noopener noreferrer\"><i>R\u00f3\u017cne odcienie dzieci\u0144stwa w utworze Agnieszki Suchowierskiej <\/i>Mat i \u015bwiat<\/a>, \u201eLitteraria Copernicana\u201d, no. 3 (23), 2017, pp. 127\u2013138 (p. 131);<\/span><\/li>\n<li>Slany, K., <span class=\"s1\"><a href=\"https:\/\/doi.org\/10.24425\/122716\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Zabawka jako medium pami\u0119ci o Holocau\u015bcie na przyk\u0142adzie picturebooka <\/i>Otto. Autobiografia pluszowego misia<i> Tomiego Ungerera<\/i><\/a>, \u201eRuch Literacki\u201d, vol. LIX, no. 4, 2018, pp. 441\u2013456;<\/span><\/li>\n<li>W\u00f3jcik-Dudek, M., <i>Kiedy ma\u0142y Srulek staje si\u0119 bohaterem literackim \u2013 Holokaust w\u00a0literaturze dla dzieci i m\u0142odzie\u017cy<\/i>, [in:] \u017b<i>ydowskie dziecko<\/i>, eds. A. Jeziorkowska- Polakowska, A. Karczewska, Lublin 2013, pp. 245\u2013255 (pp. 253\u2013254);<\/li>\n<li><span class=\"s2\">W\u00f3jcik-Dudek, M., <i>Dziewczyny i wojna (na podstawie wybranych przyk\u0142ad\u00f3w literatury dla dzieci i m\u0142odzie\u017cy)<\/i>, [in:] <i>Uwi\u0119zione w grzeczno\u015bci. Obrazy kobiecych inno\u015bci w tekstach literackich<\/i>, eds. B. Wal\u0119ciuk-Dejneka, \u0141. A. Wawryniuk, Krak\u00f3w 2015, pp. 153\u2013164 (p. 162, fn. 26);<\/span><\/li>\n<li>W\u00f3jcik-Dudek, M., <i>Mi\u0119dzy udziecinnieniem a infantylizacj\u0105 Zag\u0142ady<\/i>, [in:] <i>\u015awiaty dzieci\u0144stwa. Infantylizacje w literaturze i kulturze<\/i>, eds. M. Chrobak, K. W\u0105dolny- Tatar, Krak\u00f3w 2016, pp. 435\u2013449 (p. 438, fn. 11).<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Author: Tomi Ungerer Illustrator: Tomi Ungerer Translator: Micha\u0142 Rusinek Year: 2011 Publisher: Format Place of publishing: Wroc\u0142aw Pages: 32 ISBN: 9788361488729 Notes: Translation from English (1999). Translations: Otto: Autobiograf\u00eda de un osito de peluche, trans. Susana Andr\u00e9s, Barcelona: Ediciones B, 2011, pp. 32, ISBN: 9788466648707; Otto: Autobiografia di un orsacchiotto, trans. Caterina Ottaviani, Milano: Mandadori, 2003, pp. 32, ISBN: 9788804515272; Otto: Autobiographie d&#8217;un ours en peluche, trans. Florence Seyvos, Paris: \u00c9cole des Loisirs, 1999, pp. 32, ISBN: 9782211055437; Otto: Autobiographie eines Teddyb\u00e4ren, trans. Anna Cramer-Klett, Z\u00fcrich: Diogenes, 1999, pp. 32, ISBN: 9783257008579; Otto: E\u00f1vorenno\u00f9 un arzhig kof plouz, trans. Mark Kerrain, Saint-Brieg: Breton, 2006, pp. 32, ISBN: 9782912905741; Otto: Biography of a Teddy Bear, Boulder, Colo.: Roberts Rinehart Publishers, 1999, pp. 32, ISBN: 9781570983047; Otto: The Autobiography of a Teddy Bear, New York: Phaidon, 2010, pp. 32, ISBN: 9780714857664; \u30aa\u30c3\u30c8\u30fc: \u6226\u706b\u3092\u304f\u3050\u3063\u305f\u30c6\u30c7\u30a3\u30d9\u30a2, trans. \u93e1\u54f2\u751f, \u6771\u4eac: \u8a55\u8ad6\u793e, 2004, pp. 32, ISBN: 9784566008007; \u05d0\u05d5\u05d8\u05d5: \u05d0\u05d5\u05d8\u05d5\u05d1\u05d9\u05d5\u05d2\u05e8\u05e4\u05d9\u05d4 \u05e9\u05dc \u05d3\u05d1\u05d5\u05df \u05e6\u05e2\u05e6\u05d5\u05e2, trans. \u05de\u05d9\u05db\u05d0\u05dc \u05d3\u05e7, \u05e8\u05de\u05ea \u05d4\u05e9\u05e8\u05d5\u05df :\u05e6\u05dc\u05d8\u05e0\u05e8,I2014, pp. 32, ISBN: 891820409. Otto is a first-person story told from the point of view of the eponymous character: a plush bear sewn in pre-war Germany. At the start of his \u201clife,\u201d Otto is given to a Jewish boy by the name of David. Before his family\u2019s forced displacement, David hands Otto over to his German friend Oskar. Along with the child character, the teddy bear survives an aerial bombing of the city. Then, he is brought to the United States by an American soldier named Charlie. After numerous twists of fate, Otto finds himself in the window of an antique store, and is later bought by Oskar as an old man. And this is not the end of Otto\u2019s adventure&#8230; Tomi Ungerer\u2019s picturebook talks about the Holocaust through the perspective of a toy which is inanimate, but able to perceive the world and feel emotions. This could be considered as an attempt to show a non-anthropocentric experience of the war and the Shoah. The author decided to present a variety of moral stances and character types, including some Germans\u2019 compassion for their Jewish compatriots, friendships between \u201cregular\u201d people and the persecuted, or the suffering of German civilians. The Holocaust directly affects one character, David, who is the only member of his family to survive the war. Bibliography: Biernacka-Licznar, K., Jamr\u00f3z-Stolarska, E., Paprocka, N., Lilipucia rewolucja. Awangardowe wydawnictwa dla dzieci i m\u0142odzie\u017cy w Polsce w latach 2000\u20132015. Produkcja wydawnicza. Bibliografia, Warszawa 2018 (pp. 59\u201360); Bajorek, A., Zabawka jako historyczny artefakt w niemieckiej literaturze i kulturze dzieci\u0119cej, \u201eFiloteknos\u201d, no. 9, 2019, pp. 300\u2013308 (pp. 305\u2013306); Gajownik, S., II wojna \u015bwiatowa we wsp\u00f3\u0142czesnej literaturze dla dzieci i m\u0142odzie\u017cy, [in:] Historia \u2013 pami\u0119\u0107 \u2013 edukacja w edukacji humanistycznej, vol. 2: Literatura i kultura, eds. Z. Budrewicz, M. Sienko, Krak\u00f3w 2013, pp. 167\u2013179 (pp. 174\u2013175); Ippoldt, L., Dziecko a wojna \u2013 literatura dla dzieci o tematyce wojennej na wybranych przyk\u0142adach polsko- i niemieckoj\u0119zycznych, \u201eOrbis Linguarum\u201d, no. 48, 2018, pp. 501\u2013504 (p. 502); Jeziorkowska-Polakowska, A., \u201ebia\u0142a plamka na tle MURU to ja&#8230;\u201d \u2013 angielski buldog opowiada o Zag\u0142adzie, [in:] (Nie)zapomniane zwierz\u0119ta, eds. E. \u0141och, D. Piechota, A. Trze\u015bniewska-Nowak, Gda\u0144sk 2021, pp. 129\u2013161 (p. 132, fn. 6); Rybak, K.,\u00a0Obrazowanie Zag\u0142ady. Narracje holokaustowe w polskiej literaturze XXI wieku dla dzieci i m\u0142odzie\u017cy, Warszawa 2023; Skowera, M., R\u00f3\u017cne odcienie dzieci\u0144stwa w utworze Agnieszki Suchowierskiej Mat i \u015bwiat, \u201eLitteraria Copernicana\u201d, no. 3 (23), 2017, pp. 127\u2013138 (p. 131); Slany, K., Zabawka jako medium pami\u0119ci o Holocau\u015bcie na przyk\u0142adzie picturebooka Otto. Autobiografia pluszowego misia Tomiego Ungerera, \u201eRuch Literacki\u201d, vol. LIX, no. 4, 2018, pp. 441\u2013456; W\u00f3jcik-Dudek, M., Kiedy ma\u0142y Srulek staje si\u0119 bohaterem literackim \u2013 Holokaust w\u00a0literaturze dla dzieci i m\u0142odzie\u017cy, [in:] \u017bydowskie dziecko, eds. A. Jeziorkowska- Polakowska, A. Karczewska, Lublin 2013, pp. 245\u2013255 (pp. 253\u2013254); W\u00f3jcik-Dudek, M., Dziewczyny i wojna (na podstawie wybranych przyk\u0142ad\u00f3w literatury dla dzieci i m\u0142odzie\u017cy), [in:] Uwi\u0119zione w grzeczno\u015bci. Obrazy kobiecych inno\u015bci w tekstach literackich, eds. B. Wal\u0119ciuk-Dejneka, \u0141. A. Wawryniuk, Krak\u00f3w 2015, pp. 153\u2013164 (p. 162, fn. 26); W\u00f3jcik-Dudek, M., Mi\u0119dzy udziecinnieniem a infantylizacj\u0105 Zag\u0142ady, [in:] \u015awiaty dzieci\u0144stwa. Infantylizacje w literaturze i kulturze, eds. M. Chrobak, K. W\u0105dolny- Tatar, Krak\u00f3w 2016, pp. 435\u2013449 (p. 438, fn. 11).<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/2943"}],"collection":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=2943"}],"version-history":[{"count":11,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/2943\/revisions"}],"predecessor-version":[{"id":3632,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/2943\/revisions\/3632"}],"wp:attachment":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=2943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}