{"id":1530,"date":"2019-05-09T11:04:36","date_gmt":"2019-05-09T10:04:36","guid":{"rendered":"https:\/\/oczamidziecka.al.uw.edu.pl\/?page_id=1530"},"modified":"2023-12-06T10:20:07","modified_gmt":"2023-12-06T09:20:07","slug":"mirabelle","status":"publish","type":"page","link":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/en\/mirabelle\/","title":{"rendered":"Mirabelka [Mirabelle]"},"content":{"rendered":"\n<div class=\"wp-block-columns has-2-columns\">\n<div class=\"wp-block-column\">\n<h6>Author: Cezary Harasimowicz<\/h6>\n\n\n\n<h6>Illustrator: Marta Kurczewska<\/h6>\n\n\n\n<h6>Year:&nbsp;2018<\/h6>\n\n\n\n<h6>Publisher: Zielona Sowa<\/h6>\n\n\n\n<h6>Place of publication: Warszawa<\/h6>\n\n\n\n<h6>Pages:&nbsp;199<\/h6>\n\n\n\n<h6>ISBN: 9788380737716<\/h6>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img src=\"https:\/\/oczamidziecka.al.uw.edu.pl\/wp-content\/uploads\/2019\/05\/9788380737716_MIRABELKA_cezary_harasimowicz_strona-e1557735419125.jpg\" alt=\"\"\/><figcaption>Cover courtesy of the publisher. \u00a9Wydawnictwo Zielona Sowa Sp. z o.o., Warszawa 2018<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n<p class=\"p1\"><span class=\"s1\">Cezary Harasimowicz\u2019s story is the saga of a family of Mirabelle plum trees which have grown in Warsaw\u2019s neighbourhood of Muran\u00f3w since the 1920s. The book depicts many significant events from the history of Warsaw. Muran\u00f3w attracts Warsaw\u2019s inhabitants as a district tied to the Jewish community. Before the war, social and economic life flourished there. However, during the Nazi occupation of Warsaw, the area was fenced off and became a <a href=\"https:\/\/sztetl.org.pl\/en\/glossary\/getto-warszawskie\" target=\"_blank\" rel=\"noopener noreferrer\">ghetto<\/a>. Its Jewish residents only seemingly did not participate in the post-war reconstruction of the district from the ruins; their ghosts kept visiting their former homes, as they do today. The reader learns about the fates of Dorka, Chaim, Mr. Friedman, Noam, Staszek, Dorotka, and subsequent generations of Varsovians, and in the process gains an exhaustive vision of occasionally difficult interpersonal relationships inscribed within an equally difficult history of twentieth-century Poland.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>Mirabelle<\/i>\u2019s events are set within a very wide time-frame. The young reader can learn about the golden age of Muran\u00f3w and the wealth of its Jewish residents in the 1920s and 1930s, its destruction in World War Two, the Holocaust \u2013 and other historical eras. The description of the post-war period is not limited to the \u201ccharms\u201d of Socialism or the race to rebuild the capital. Instead, it encompasses the student protests and Anti-Semite sentiments of <a href=\"https:\/\/marzec68.sztetl.org.pl\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 1968<\/a> as well as the introduction of martial law in 1981. Moreover, the author refers to stories told by the current residents of Muran\u00f3w that former Jewish inhabitants sometimes \u201ccome back home\u201d. The ghosts of Dorka, Chaim, Rebeka, Joshua and other Jews who used to live in Warsaw make their presence known after the war, keeping watch over the young Maciek-Noam, who was able to survive Shoah thanks to <a href=\"https:\/\/sprawiedliwi.org.pl\/en\/o-sprawiedliwych\/irena-sendlerowa\/biografia-ireny-sendlerowej\" target=\"_blank\" rel=\"noopener noreferrer\">Irena Sendler\u2019s<\/a> help.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">It could seem that the story of the Mirabelle plum trees ends on the last pages of Harasimowicz\u2019s book. However, in keeping with the atmosphere of his story, life keeps regenerating, and the Mirabelle manages to return to Muran\u00f3w. Although a luxury apartment building stands in its original growing place today, a few hundred meters away another generation of the same tree was planted on Saturday, 22 September 2018. The tree had \u201cemigrated\u201d to Washington, D.C., in the pockets of Dorotka, Maciek-Noam and Wojtu\u015b who had left Warsaw, and its grafts returned to Poland to be planted in Muran\u00f3w again.<\/span><\/p>\n<h6>\u00a0<\/h6>\n<h6>Bibliography:<\/h6>\n<ul class=\"ul1\">\n<li><span class=\"s1\">Kwiatkowska, A., <a href=\"https:\/\/www.journals.us.edu.pl\/index.php\/pl\/article\/view\/9185\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Korzenie pami\u0119ci. O <\/i>Mirabelce<i> Cezarego <\/i><\/a><\/span><a href=\"https:\/\/www.journals.us.edu.pl\/index.php\/pl\/article\/view\/9185\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Harasimowicza<\/i><\/a>, \u201ePaidia i Literatura\u201d, no. 2, 2020, pp. 67\u201376;<\/li>\n<li><span class=\"s1\">Kwiatkowska, A., <a href=\"https:\/\/doi.org\/10.14746\/pi.2021.13.7\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Motyw szycia i haftu w najnowszej polskiej literaturze dla dzieci dotycz\u0105cej Zag\u0142ady<\/i><\/a>, \u201ePolonistyka. Innowacje\u201d, no. 13, 2021, pp. 55\u201365 (pp. 62\u201363);<\/span><\/li>\n<li><span class=\"s1\">Kwiatkowska, A., <a href=\"https:\/\/doi.org\/10.14746\/por.2021.1.6\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Jak narysowa\u0107 pami\u0119\u0107? Zag\u0142ada w polskich ilustrowanych ksi\u0105\u017ckach dla dzieci<\/i><\/a>, \u201ePor\u00f3wnania\u201d, no. 1, 2021, pp. 123\u2013140 (p. 124);<\/span><\/li>\n<li class=\"li1\"><span class=\"s2\">Maki z Giverny,\u00a0<a href=\"http:\/\/ryms.pl\/ksiazka_szczegoly\/3348\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"s3\"><i>Mirabelka<\/i><\/span><\/a>, \u201eRyms. Kwartalnik o ksi\u0105\u017ckach dla dzieci i m\u0142odzie\u017cy\u201d, no. 32, 2018, p. 39;<\/span><\/li>\n<li><span class=\"s2\">Michu\u0142ka, D., <a href=\"https:\/\/doi.org\/10.19195\/2083-5345.12.30\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Literatura \u2013 historia \u2013 edukacja. Spotkania z przesz\u0142o\u015bci\u0105 we wsp\u00f3\u0142czesnych polskich narracjach dla dzieci i m\u0142odzie\u017cy<\/i><\/a>, \u201eOblicza Komunikacji\u201d, nr 12, 2020, s. 433\u2013450;<\/span><\/li>\n<li><span class=\"s2\">Rybak, K. <em>Dzieci\u0144stwo w labiryncie getta. Recepcja mitu labiryntu w polskiej literaturze dzieci\u0119cej o<\/em> <em>Zag\u0142adzie<\/em>, Warszawa 2019 (p. 15, 73, 76);<\/span><\/li>\n<li>Rybak, K., <i>Stosunki polsko-\u017cydowskie i Zag\u0142ada w polskiej literaturze dzieci\u0119cej XXI wieku<\/i>, [in:] <i>Stosunki polsko-\u017cydowskie<\/i>, vol. 2, <em>Kultura. Literatura, sztuka i nauka w XX wieku<\/em>, ed. Z. Tr\u0119bacz, Warszawa 2020, pp. 171\u2013187 (p. 174).;<\/li>\n<li>Rybak, K., <a href=\"https:\/\/doi.org\/10.31261\/NoZ.2021.07.09\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Zag\u0142ada i ideologia w polskiej literaturze dzieci\u0119cej XXI wieku<\/em><\/a>, \u201eNarracje o Zag\u0142adzie<span class=\"s2\">\u201d<\/span>, no. 1(7), 2021, pp. 155\u2013173 (p. 159);<\/li>\n<li>Rybak, K.,\u00a0<em>Obrazowanie Zag\u0142ady. Narracje holokaustowe w polskiej literaturze XXI wieku dla dzieci i m\u0142odzie\u017cy<\/em>, Warszawa 2023.<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Author: Cezary Harasimowicz Illustrator: Marta Kurczewska Year:&nbsp;2018 Publisher: Zielona Sowa Place of publication: Warszawa Pages:&nbsp;199 ISBN: 9788380737716 Cezary Harasimowicz\u2019s story is the saga of a family of Mirabelle plum trees which have grown in Warsaw\u2019s neighbourhood of Muran\u00f3w since the 1920s. The book depicts many significant events from the history of Warsaw. Muran\u00f3w attracts Warsaw\u2019s inhabitants as a district tied to the Jewish community. Before the war, social and economic life flourished there. However, during the Nazi occupation of Warsaw, the area was fenced off and became a ghetto. Its Jewish residents only seemingly did not participate in the post-war reconstruction of the district from the ruins; their ghosts kept visiting their former homes, as they do today. The reader learns about the fates of Dorka, Chaim, Mr. Friedman, Noam, Staszek, Dorotka, and subsequent generations of Varsovians, and in the process gains an exhaustive vision of occasionally difficult interpersonal relationships inscribed within an equally difficult history of twentieth-century Poland. Mirabelle\u2019s events are set within a very wide time-frame. The young reader can learn about the golden age of Muran\u00f3w and the wealth of its Jewish residents in the 1920s and 1930s, its destruction in World War Two, the Holocaust \u2013 and other historical eras. The description of the post-war period is not limited to the \u201ccharms\u201d of Socialism or the race to rebuild the capital. Instead, it encompasses the student protests and Anti-Semite sentiments of March 1968 as well as the introduction of martial law in 1981. Moreover, the author refers to stories told by the current residents of Muran\u00f3w that former Jewish inhabitants sometimes \u201ccome back home\u201d. The ghosts of Dorka, Chaim, Rebeka, Joshua and other Jews who used to live in Warsaw make their presence known after the war, keeping watch over the young Maciek-Noam, who was able to survive Shoah thanks to Irena Sendler\u2019s help. It could seem that the story of the Mirabelle plum trees ends on the last pages of Harasimowicz\u2019s book. However, in keeping with the atmosphere of his story, life keeps regenerating, and the Mirabelle manages to return to Muran\u00f3w. Although a luxury apartment building stands in its original growing place today, a few hundred meters away another generation of the same tree was planted on Saturday, 22 September 2018. The tree had \u201cemigrated\u201d to Washington, D.C., in the pockets of Dorotka, Maciek-Noam and Wojtu\u015b who had left Warsaw, and its grafts returned to Poland to be planted in Muran\u00f3w again. \u00a0 Bibliography: Kwiatkowska, A., Korzenie pami\u0119ci. O Mirabelce Cezarego Harasimowicza, \u201ePaidia i Literatura\u201d, no. 2, 2020, pp. 67\u201376; Kwiatkowska, A., Motyw szycia i haftu w najnowszej polskiej literaturze dla dzieci dotycz\u0105cej Zag\u0142ady, \u201ePolonistyka. Innowacje\u201d, no. 13, 2021, pp. 55\u201365 (pp. 62\u201363); Kwiatkowska, A., Jak narysowa\u0107 pami\u0119\u0107? Zag\u0142ada w polskich ilustrowanych ksi\u0105\u017ckach dla dzieci, \u201ePor\u00f3wnania\u201d, no. 1, 2021, pp. 123\u2013140 (p. 124); Maki z Giverny,\u00a0Mirabelka, \u201eRyms. Kwartalnik o ksi\u0105\u017ckach dla dzieci i m\u0142odzie\u017cy\u201d, no. 32, 2018, p. 39; Michu\u0142ka, D., Literatura \u2013 historia \u2013 edukacja. Spotkania z przesz\u0142o\u015bci\u0105 we wsp\u00f3\u0142czesnych polskich narracjach dla dzieci i m\u0142odzie\u017cy, \u201eOblicza Komunikacji\u201d, nr 12, 2020, s. 433\u2013450; Rybak, K. Dzieci\u0144stwo w labiryncie getta. Recepcja mitu labiryntu w polskiej literaturze dzieci\u0119cej o Zag\u0142adzie, Warszawa 2019 (p. 15, 73, 76); Rybak, K., Stosunki polsko-\u017cydowskie i Zag\u0142ada w polskiej literaturze dzieci\u0119cej XXI wieku, [in:] Stosunki polsko-\u017cydowskie, vol. 2, Kultura. Literatura, sztuka i nauka w XX wieku, ed. Z. Tr\u0119bacz, Warszawa 2020, pp. 171\u2013187 (p. 174).; Rybak, K., Zag\u0142ada i ideologia w polskiej literaturze dzieci\u0119cej XXI wieku, \u201eNarracje o Zag\u0142adzie\u201d, no. 1(7), 2021, pp. 155\u2013173 (p. 159); Rybak, K.,\u00a0Obrazowanie Zag\u0142ady. Narracje holokaustowe w polskiej literaturze XXI wieku dla dzieci i m\u0142odzie\u017cy, Warszawa 2023.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/1530"}],"collection":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=1530"}],"version-history":[{"count":21,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/1530\/revisions"}],"predecessor-version":[{"id":3623,"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/1530\/revisions\/3623"}],"wp:attachment":[{"href":"https:\/\/oczamidziecka.al.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=1530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}